French Version of FMTS site; free music for all.
English version of FMTS; free music for all.

Available on the following platforms :
- Hereticus Perfectus « Elbisivni Lerutanoicos Ercassam »
- Hereticus Perfectus « Erip Ud Tuog Tnahpmoirt »
- OPTIMAL (aka the OPTIMEN) "Vif ! Eperdument Vif !" (1st Version)
- The International Dubbers "Stepping Out The Past"
- FRAVAL the Wellwisher "Too Weird to Live - Too Rare to Die"
- S C S I : "Bienvenue en Ariège"
 




HERETICUS PERFECTUS

Attempt to exorcise an exponential growth of misanthropy…
FIRST ACT (from December 21st, 2015 till March 21st, 2016)!!!
(Voluntary and heretical Passages of volume in distortion)

 

Album R-EscapE-R, à la Recherche de Langages Spirituels afin d’Explorer de Lointaines Contrées Universelles
– Second Chapitre : « = 8 - 8 x 8 - 8 = ».

Ce second opus de R-EscapE-R est de loin le projet le plus audacieux que j’ai pu porter jusqu’aujourd’hui en ce début d’année 2015. Un projet qui portera sans nul doute à discussion, voire de controverses s’il obtenait une certaine aura publique. Car ce projet a pour objectif d’aborder l’extravagant sujet du :

SILENCE ABSOLU !

Mais qu’est ce que le silence absolu ? Est-ce déjà possible de l’obtenir, de le réaliser, voire de le produire ce silence absolu ???
Et bien OUI apparemment c’est possible ! La technologie actuelle serait en mesure de le réaliser gr^ace au numérique et au pouvoir digital. Ces moyens en seraient la concrétisation.
Seulement  voilà, est il possible de l’apprécier en tant que tel et donc, une fois produit, le diffuser ? J’ai bien dit DIFFUSER !

Diffuser du silence… IMPOSSIBLE ?

NON mais plut^ot INIMAGINABLE !

Là en est le paradoxe, voire une « hénaurme » contradiction. Comment peut-on le diffuser puisque notre environnement terrien est avant tout vecteur, producteur et amplificateur sonore, en commençant déjà par le moindre souffle d’air le plus imperceptible qui soit… Si nous décidions de nous rendre dans le lieu le plus silencieux du monde et de notre planète, m^eme à cet endroit nous ne pourrions réussir à l’apprécier. D’ailleurs pourquoi j’use du terme « apprécier » en lieu et place d’ « écouter » ou mieux encore « entendre ». Mais peut on écouter ou entendre le silence absolu ? Non, je ne le crois pas finalement, telle en est mon intime et convaincue persuasion…

MAIS ALORS OU ?

Et bien hors de notre environnement planétaire, dans l’infini et le néant de l’espace intersidéral ! mais m^eme là car, en tant qu’^etre humain, rien qu’avec notre respiration, à moins de la retenir sans émettre le moindre bruit, nous ne serions pas en capacité de l’apprécier. A moins d’^etre mort… Mais la mort ne peut ^etre conscience et donc en mesure de nous y faire parvenir.

EQUATION N’EST ELLE PAS !

Mais venons en à cet album, car il s’agit bien d’un album, partagé en 5 titres dont le troisième lui m^eme en deux autres à son interne.
Le premier en ouverture, que j’ai intitulé « ≤ ∞ », nous plonge directement dans le totalement RIEN ABSOLU pendant ces premières 8 minutes. Ces deux symboles, comme titre, expriment pour le premier un début (si un début il y a eu depuis que l’univers puisse ^etre dans sa totalité, multivers compris (encore certainement incompris…).
Puis le second d’une m^eme continuité de 8 minutes, intitulé « L’Avant Vie » , quant à elle serait la métaphore de la condition dans laquelle se trouvait tout ^etre vivant qu’il soit minéral, végétal ou animal avant d’avoir pu se concevoir. Comme je me plais à l’affirmer souvent, avant notre propre conception, mais òu étions nous ? Et bien n’étions pas tout simplement. . . J’ajoute que, en ce qui me concerne, dans ma plus intime conviction, MORT signifie RIEN et donc...

TOTALE INEXISTENCE


LE NEANT ET RIEN D’AUTRE PROBABLE ?


APAISANT N’EST IL PAS ! 

C’est bien pour cette raison fondamentale que la VIE, avec la brève existence que dispose chaque ^etre vivant, proportionnellement à l’éternité, notre planète comprise (voire incomprise encore elle aussi…) et par rapport à celui infini de l’espace temps gouverneur métronomique de l’ensemble de l’univers voire de multivers sans FIN ABSOLUE mais aussi sans aucun COMMENCEMENT ABSOLU, se doit  d’^etre savourée à sa véritable et incommensurable valeur qui lui serait due, étant la CHOSE la plus SACREE pour^etre vécue dans le monde le plus harmonieux et paisible qui soit et non dans celui imposé depuis

 

des millénaires par le nombrilisme exacerbé et l’égoisme démesuré de la plupart des sociétés humaines qui, au contraire, auraient du par leur évolution, devenir les garantes du bien commun et de l’intér^et général de tout le vivant, en commençant à limiter intelligemment leurs différentes  proliférations démographiques, cherchant à exploiter l’ensemble des ressources naturelles  au détriment de toutes les autres espèces vivantes de la planète. Car sans elles…

SERIONS NOUS ?


Avant de développer sur la partie centrale de ce second chapitre R-EscapE-R, je souhaiterai parler des titres # 04 et # 05 confirmant 2 fois deux autres 8 minutes par leur silence absolu total, illustrant la suite, à l’inverse du début. Mais qui sait pour un autre recommencement de maintenant, de toujours et aussi à jamais sur plusieurs prochaines milliards d’années comme ainsi irait l’UNIVERS voire l’ensemble de tout les multiples  MULTIVERS parallèles les uns aux autres !
HISTOIRE SANS FIN SANS HISTOIRE !
POUR ENFIN  UNE ABSENCE TOTALE DE TOUTES IDEOLOGIES
QU’ELLES SOIENT D’ORDRE RELIGIEUX OU POLITIQUE !
PUISQUE CE N’EST PAS LE TEMPS QUI PASSE
MAIS NOUS QUI PASSONS !
CAR TOUT COMME DIEU LE TEMPS N’EXISTE PAS
N’ETANT QUE D’HUMAINES INVENTIONS
MAIS LA NATURE, ELLE, SI !
PUISQU’INDEFINIMENT BIEN REELLE PAR CONTRE
QUE CELA SOIT DANS SA COMPLEXITE MAIS AUSSI SA SIMPLICITE ABSOLUES
SANS QU’IL Y AIE AUCUNE CRAINTE A L’AFFIRMER PUISQUE LOGIQUE
COMME PEUT L’ETRE
 LE SILENCE ABSOLU

Maintenant venons en à cette partie centrale de 4 x 8 minutes, c'est-à-dire 32 minutes de croissance et de décroissance sonore…
Imaginons une entité extraterrestre s’approchant progressivement de notre planète, dotée d’une sensibilité auditive, mais aussi cérébrale et donc certainement intellectuelle peut-^etre mille fois supérieure à la n^otre étant donné sa possibilité de voyager sur des distances galactiques… Que percevrait elle concernant l’ensemble des émissions terrestres ?
Et bien, il me semble légitime d’imaginer que ce voyageur et explorateur extraterrestre pourrait ressentir avec effroi le CRI de SOUFFRANCE de la TERRE compte tenu la gravité de son état dans lequel l’espèce humaine a contribué à cela de manière accélérée depuis près de 200 ans …
Pour cela j’ai intitulé ces 32 minutes « H.T.T. » (Hurlement Total Terrestre) pour illustré au plus représentatif possible ce probable

CRI de DOULEUR de GAIA ,
MERE de TOUTES les ESPECES VIVANTES qui la COMPOSENT ! ! !
Les 16 premières minutes sont celles de l’approche jusqu’à son apogée devenue intolérable pour l’audition de cet ^etre ultra sensible qui amorce ensuite son éloignement durant aussi 16 autres minutes avant de rejoindre le silence absolu et en conséquence paisible pour enfin digérer l’effroi de sa terrifiante découverte.
         JE TERMINERAI EN AFFIRMANT QUE LA CONNERIE, DANS TOUTE SON
IMMENSITE EST, ELLE AUSSI,  UNE INVENTION HUMAINE !
                      D’AILLEURS EST IL POSSIBLE DE L’EVALUER DANS SA TOTALITE
 AU DELA  DU PROPRE NIVEAU  DE CHACUN ???
(VASTE QUESTION N’EST-CE PAS ET PLUTOT A DEBATTRE D’URGENCE CES TEMPS CI …)

 

 

EN CONCLUSION JE VAIS EN PROFITER POUR DECLARER QU’EST ARRIVE LE
MOMENT OU L’HUMANITE DOIT ARRETER DE TUER ET MANGER LES ANIMAUX,
SACHANT QUE 60 MILLIARDS D’ANIMAUX TERRESTRES ET 1000 MILLIARDS D’ANIMAUX
MARINS LE SONT  CHAQUE ANNEE, POUR EN SATISFAIRE LES EXPERIMENTATIONS
SCIENTIFIQUES, LA CONSOMMATION ET LE DIVERTISSEMENT. MAIS AUSSI  A CAUSE DE
LA DESTRUCTION CROISSANTE DE LEUR ENVIRONNEMENT TOUJOURS PAR LES
HOMMES. LES ANIMAUX N’ONT JAMAIS EXISTE POUR EN ETRE SES OUTILS, JOUETS
OU SON ALIMENTATION, TOUT CELA EST UNE ABERRATION CREEE PAR DES  IDEOLOGIES THEOLOGIQUES ET PROPAGANDES COMMERCIALES MONTEES DE TOUTE
PIECE DEPUIS EXCESSIVEMENT TROP LONGTEMPS DESORMAIS !
EN CONSEQUENCE POUR CHANGER CELA ET POUR MIEUX COMPRENDRE
petits CONSEILS DE LECTURE :
« le Traité d’Athéologie » de Michel ONFRAY,
« Plaidoyer pour les Animaux » de Mathieu RICARD,
SINEMENSUEL, FAKIR
et 
« les PAPALAGUI »
Ne Faisons pas aux Autres
ce que l’On n’Aimerait pas qu’Ils nous Fassent !
Que la Musique soit Toujours avec Nous !!
VIVE les VACHES et la LIBERTE
de RIRE de TOUT et de TOUS !!! 
MAIS…
MORT aux CONS (comme savait si bien le dire CAVANNA) 
 et à la « CAPITALOSCHIZOCACOPHONIA » GLOBALE !!!
LIBERTE – EGALITE - FRATERNITE
POUR
TOUT
 LES ETRES VIVANTS
DE L’UNIVERS
ET DE TOUT
LES MULTIVERS .
 « pour que tout le monde il est beau, il est gentil… »
ETRE POUR ETRE AVEC TOUS POUR TOUS ET A CHACUN
 Pleurer à en Rire et Salut la Société !
 -  CIALLELULAIO -
ALAIN (Serge) VALSECCH
(Végétarien Epicurien, Athée Pratiquant et « Vieux » Punk Cosmique)
 



PROJECT OPTIMAL (Aka the Optimen):
OPTIMAL project came from an artistic collaboration between Alain FRANCO TURRA VALSECCHI and songwriter from the Bolognese alternative scene of the early 80s. By going to the LINK section of the site, a link is established with his giving all the biographical and artistic information about it.
This collaboration is made from November 2012 to March 2013 with a composition of 10 tracks recorded in the studio FRANCO BOLOGNA. This project was focused on 10 sessions of 10 days over the five months that is to say one title per day. The challenge was daunting but m ^ th time for a sharp significant creativity never collaborated together before ... The result is also well above what he could imagine his departure.
This project became even more interesting. By this it is promised for a whole bunch of other reasons to change in the future with different versions will be in stages.
The first is setting mp3 listening now. A second will be proposed and a subsequent remix with lyrics on ALAIN VALSECCHI texts in French. Finally, a fourth totally different as it will be the training of "big band" with horn section and chorus types. This training, which will be called the Optimen certainly include 17 musicians and singers. For this, a cast ^ will be organized in order to perform concerts. Obviously the original studio versions of the songs will be completely overwhelmed in texture without the ^ be in their integrity, representing a huge challenge ...
Meanwhile, ALBERTO PIETROPOLI and RICCARDO LOLLI CENTRAL UNIT bring their collaborative project in all future releases. Including the need to incorporate in their next album a few pieces of VIF "madly Vivid" album title.
So project to follow ...

Projet OPTIMAL (aka the OPTIMEN) "Vivace - Sperdutamente - Vivace !"

(Vif - Eperdument - Vif ! 2nd version) Finalement chose due chose promise ! Comme il l'avait été annoncé dans sa première version originale, a été enfin réalisée la seconde et donc la suite du projet. Ce qui n'a pas été simple dans sa finalité ... C'est à dire qu'un quiproquo est venu compliqué son avènement avec heurts et fâcherie survenus d'une grande incompréhension entre d'un côté: le noyau dur d'OPTIMAL (A.S.VALSECCHI/F.TURR)A et de l'autre, les membres de CENTRAL UNIT, ces derniers revendiquant des droits de composition sur 6 titres (#01/#03/#07/#08/#09/#10) des 10 appartenant à cette seconde version. Argument totalement réfuté par A.S. VALSECCHI et F.TURRA estimant que ces titres n'ont été que réarrangés et remixés. Surtout que les titres sont ceux de la version originale qui plus est déjà déclaré auprès de la SACEM dans sa première version. Auparavant était prévu, grâce à une initiative des membres de CENTRAL UNIT (Alberto PIETROPOLI, Enrico GIULIANI et Riccardo LOLLI), que serait publié en format vinyl pour 500 copies environ, la version des 7 titres les concernant accompagné d'une reprise de "What'Use' des TUXEDOMMOON mixée par Roberto COSTA. Le problème est survenu quand CENTRAL UNIT ont proposé à OPTIMAL (A.S.VALSECCHI et F.TURRA) de publier ce disque sous le patronyme de CENTRAL UNIT feat. OPTIMAL et de surcroît en modifiant l'intitulé des titres afin qu'ils puissent en revendiquer la co-composition. Bien évidemment très compliqué à faire respecter cette intention à OPTIMAL pour les raisons suivantes: 1/ il aurait été plus normal et surtout logique que cela soit proposé sous la forme suivante: OPTIMAL feat. CENTRAL UNIT 2/ les titres, même dans leur seconde version, sont fidèles et sur reconnaissables aux originaux. 3/ en conséquence, impossible pour les 2 membres d'OPTIMAL de pouvoir accepter d'en modifier les intitulés ! Pour conclure les 2 parties sont fâchées à cause de la mauvaise interprétation des membres de CENTRAL UNIT du projet dans sa globalité comme il l'avait été révélé dans sa première version tout simplement. Qui plus est un seul d'entre eux, Riccardo LOLLI, est membre de l'équivalent de la SACEM, la SIAE en ITALIE ! Enfin, malgré cette triste situation A.S.VALSECCHI a retenu nécessaire de présenter en diffusion cette version sur le site de FMTSProductions, car il serait dommage, compte tenu de sa qualité et de sa réussite musicale, grâce aux prouesses techniques et instrumentales des membres de CENTRAL UNIT et autres musiciens qui ont participé à cette production, celle-ci reste à jamais perdu. En espérant que cela ramènera tout le monde vers plus de sérénité, souhaitons bonne écoute à tous ceux qui s'en donneront la possibilité ... Musicalement Vôtre.

 

Project TeKEscapE / Parallel Sound System
The project dragged me in mind for quite a number of years to sort of fill a gap in my desire to reconcile philosophical awareness and fun.
Specifically this project is primarily a combination of sound which I like musically while being projected in a festive environment.
I first asked this question: "but what could well satisfy me musically to dance with your feet on earth, and yet the spirit propelled full spiritual journey? ".
This reflection is the height in response to what is generally offered everywhere and too often stereotyped model copied without end because of a lack of imagination or willingness to flout conventional whole music production and flooding the consensual market over the last decade increasingly leveling down any possible changes or other engine of creativity.
As if all that was worth and now hardly anyone would have anything to offer. "In fact why do since we live in a perfect world, and therefore seek to challenge it, is not it? "
Besides an observation is to make as there is no new creation had any real musical or cultural movement that sought to bring this beautiful world and a little upset, at least since the advent of the drum ' n bass in the late 90's as real and final current innovative in the history of music from its origins to its evolution.
TeKEscapE / Parallel Sound System is not intended to disrupt this musical evolution but at least ask some questions and especially to continue to claim a total creative freedom in this project by mixing a variety of sounds and music that have the seventies to the 2000s, been faithful to this fundamental idea beyond the cultural modes or other charges of their eras.
I am looking for with this project, to make a living memorial dedicated to this essential freedom to create but also to fill the gap faced by an indefinable artist in this world as it is needed daily. Because this freedom is primarily a absolutely vital need to combat resignation and cultural conservatism, synonyms regression.
Specifically, TeKEscapE / Parallel Sound System also offers technical experience since the simultaneous release of two live productions mixed, each on their own amplification.
Hence the name of Parallel Sound System.
One for the dissemination of the rhythm part (techno / house beats) and one for which I call armosphérique (ambient / melody, lyrics), I called TeKEscapE ... All this allowing a definition sound different and more accentuated a conventional broadcast.
Finally, I found my inspiration from TeKEscapE, mixing just a repertoire ranging from the seventies to now. This accounted for nearly two years of work to get to build a repertoire of more than respectable 23 tracks now (listening the first two volumes available in mixed site download page).
I did not use programs or software (such as Traktor DJ) to mix but I used my own formula to scale using a Gemini CD console to maintain a more human than solely by technological computer. This allows me to keep more freedom of action even if the benefit to be realized in direct physical turns and calls for a concentration as much as any musician in concert. What adds more to the plan of the exhibition.
This provision, the sound mix is ??provided by a sound engineer to properly balanced the volumes of the parallel diffusion, and their equalization live according to your mood, intervene to send additional effects (pan, delay or other ...)
At this DJ set, lasting about 2 hours, is associated with a projection of moving images and sync with rhythmic and atmospheric music, each title selected among the 23 with its own video thus constituting a true "movie" . This film comes from a true original and artistic creation of a visual filmmaker. Creation that wants to be different from what is usually proposed is to say videos in digital design now habitual and repetitive or using montage of excerpts from films or documentaries on DVD ...
A projection of the internal intervene regularly fifteen questions about who register on the screen in the language of the country hosting and simultaneously in English for "aliens". Questions philosophical or satirical theme. For example: "we can evaluate the universal bullshit beyond his own level of stupidity? "Or" money is more important than the blood that flows in our veins? ".
(VISUAL CREATION STILL IN THE MAKING NOW)
Ultimately, the goal of TeKEscapE / Parallel Sound System is to provide the highest quality entertainment possible while offering those who will be present at his performance to "(to do) meet."
The first Live Set TeKEscapE / Parallel Sound System has the title and theme:
"MUSIMAGICA - CULTURA Prophetica".
The project is made possible by collaborations RWSound (sound), ARTFROG (visual) and FMTSProductions (music).
TeKEscapE / Parallel Sound System is now on hold pending its first exhibition in a place yet to be defined in BOLOGNA this spring 2012 (the first big step towards a promotional audiovisual equipment necessary for exploration of future benefits and whose vision will be available on the internet).
March 5, 2012.
ALAIN SERGE VALSECCHI.

 

 

LAST INFORMATION !

From 1 September (09.01.11), the concepts / masters of the INTERNATIONAL Dubbers (Stepping Out the Past), the Fraval WellWisher (Too Weird To Live - Too Rare To Die To Create and Resist - resist to Create) R-Escape-R (Chapter One) and SCSI (Welcome Ariege) will be available only for download FLAC PAYPAL (5 euros / master), as well as bonus tracks (0.50 euro / track). Only two masters ("From Mountrhythms Cosmicscapes To" and "TeKEscapE / Parallel Sound System Vol.1") for the exploration of gigs / djset, will be directly and free version of mp3. "

 

 

 

VARIOUS PROJECTS AND CONCEPTS

 

INTERNATIONAL Dubbers * The "Stepping Out the Past", realization of the association of creative music Alain Olivier and Serge VALSECCHI Lormeau. The first concept / album reflecting their affinities they are artistic or spiritual. Including the most fundamental being that first recognize that the universe is born from the depths of space, even her asshole ...


** Fraval the WellWisher. Concept created by Alain Serge VALSECCHI collaborations with point O. Lormeau, B. and E. DHAENE TROCHU. This project is an expression of wanting a kind of state of the world covered by a "knight benefactor" of music on behalf of Fraval. This world with humanity in the first main character and the consequences that implies about our own and living environment that is planet Earth. Resulting for example in his first album (Too Weird To Live - Too Rare To Die) in "Asianemia" noting that absurd willingness of Asian people (Chinese in particular) to follow the economic model most expensive in the world What the United States. "MannHierNicht!" stating that mankind will not change and evolve if the majority of them remain in ignorance, uneducated and in the most extreme poverty. Or by "1 +1 = 3" expressing the frightening issue of proliferation of its human population growth at the expense of other species on the planet ... In the second installment (Create To resist - Resist To Create) examples. With "Into the Demons of the World Financial Business" seeks to expose the dominant system that kills 10 times more than it creates! In the wake of "Death tax havens!" showing egoism by corruption (or even corruption by selfishness ...) of a small minority of humans to the extremely harmful consequences for the other large majority ... To "Indignation - Rageante Consolation" logical consequence of the two previous titles in more than legitimate reaction on the part of all those who resist change and want to harm the system and who are aware have genuine long-term solutions to and hope this really a better and fairer for all. At the same time, the project offers a WellWisher Fraval the production quality is seeking close to that of 70 years while using the latest technology, to make a contradiction to the majority of music production in the last decade a little too clean or "neat" as more inclined to a certain submission to the music market than by a genuine desire for originality and personality. Finally with this concept, AS VALSECCHI the opportunity to declare his strong affection for the city of Bologna ("Bologna Spirito Sano" and Bologna Epicuriana Per Sempre"), which for him is part of one of these islands throughout the world are some to exist and where one finds the essential and universal human values ??consist of a mentality based on the joy of living with a great sense of humor and playing as a real resistance to bullshit!


*** R-Escape-R on the other hand the project is the most intimate of AS VALSECCHI which currently amounts to the first chapter and remains the most important work of his life. As he says: "This project is a living, I used as a barometer of maturity of conscience as a mere human being and a tool for exploration of my territories internesen as an artist. As soon as I I would feel the vital need compose the second chapter with the hope of being alive by then. But something tells me that I still have a lot of time to perform other ... "


**** SCSI (used to be defined by Olivier Lormeau) ... With the only comment from A. S. VALSECCHI: "Absolutely Sublime!".


***** Finally, the two masters listening and mp3 version ("From Mountrhythms Cosmicscapes To" and "TeKEscapE / Parallel Sound System Vol.1") on the other hand are only for the exploration of benefits djset. The second (TeKEscapE etc ...) with the ambition to make live by means of split 2 PA (Parallel Sound System) creating a hearing of a quality close to the 5.1 version or rave clubbing.
Other projects are coming up with hopefully an album of SIGN, as well as 4 new, including compositions for piano only, then with PURGE for achievements and transgressive performances sound and finally ALTROVE-based directory / tracks of "cosmic waves and ambient landscapes" in the near future according to our possibilities and opportunities for creation time. But all this depends of course many ways (financial surttout admittedly given the precarious situation of ours as a real structure in composition / production completely independent ...).

4 upcoming projects: Piano (compositions used in piano only), PURGE (sound performance and transgressions) Altrove (Ambient Waves for Cosmical Landscapes) and AUTONOMY (RItmik / Atmosferik FORCES).

 

 

 

IMPORTANT !
In quite potential philanthropists, sponsors or investors, respectful of the musical productions of From MINDRHYTHMS To SOUNDSCAPES, are invited to participate by subscription or even by ready in the obtaining of the 10350-euro total sum (estimate: 1750 euro of computer hardware and 8600 euro in instruments) necessary for the realization of an effective structure the main objective of which is Live one itinerant Act, to go to meet so an audience in public as soon as possible.

The 17/02/10.
Musically yours.
Alain (Serge) VALSECCHI founder of FMTSProductions.

 

 

R-Escape-R is the alter ego of frenchman Alain Valsecchi, he released just one album, the excellent techno/hypno trance Chapter One, why it never came to more i can't say as the search engines remain silent when it comes to R-Escape-R or Alain Valsecchi i gathered he did some art projects but obviously forgot to pick up dj-ing as this is the promotion tool for dance musicians..Oh well the French will have it their way. Into the Abyss appeared on a number of compilation albums, give it a try i would say..

Brian PERERA
(Cleopatra Records - Los Angeles)


 

 

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"From MINDRHYTHMS To SOUNDSCAPES Productions inform all the availability of the download (FLAC version still on the same site) of the second album, which will be called "CREATION en RESISTANCE - RESISTANCE en CREATION" (concept/album of 11 tracks ) of FRAVAL The WellWisher current planned for spring 2011".

 

 

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Interview of Alain (Serge) VALSECCHI founder of FMTSprod by an anonymous Internet user in the pen name of Le Névachien.


*Le Névachien : Why this charter ?


- A.(S) V. :And indeed to establish more just and fair one relation, based on a mutual respect, enters the artist / creator (producer / composer / musician) and the public (Internet user / listener / amateur of novelty). But to inform especially and at the same time give responsibilities this audience navigating the painting to the creation and a certain musical production, as our, totally independent artistically from the current commercial speculation. To remind also the downloader, while giving to him the choice, that this creation came true not at all free of charge until its final outcome, that is at time(weather) and in used and spread means. When I speak about choice in our case still, I mean that we can download our works with a quality similar to a CD bought in the business and not via the format MP3 usually broadcasted on the painting.


*Le Névachien : That would blame you the MP3 ?


- A.(S) V. : For me the MP3 is only the obtaining of vulgar one copy in the discount but, recognize, have a practice for whom has little means that it is money and transport. Only here is this hearing support does not respect qualitatively the work made by the producer / composer in studio, because it alters strongly certain frequencies necessary for the dynamics looked for during the recording of the work. I am a part of the generation which already pirated in a sense on K7 vinyl records. I thus wanted to compare the result tuned to a commonplace Walkman with Ipod; striking!!! So much the quality is superior on K7 and in more with very old K7! To believe that at present we undergo a full qualitative regression with the technology proposed in the big business. It seemed to me as well as in the long run, certain frequencies emitted by these Ipod could be convenient to the deterioration of the hearing at any human being.


*Le Névachien : Can thus one assert of a certain will of authenticity and integrity to characterize From MINDRHYTHMS To SOUNDSCAPES productions ?


- A.(S) V. : According to my opinion, then that you ask to me for it, a real artist / creator whatever it is when it begins to express itself through a work, is necessary be or have no artistic compromise with whom or whatever it is. The honorable artist puts, sometimes and even often, months even years to reach his purpose and so that his labour is recognized or paid. And still if he is lucky, a lot of luck! Dilemma which even most of the employees and the bosses do not have to face. Because any work comes at once practically paid! Exactly, in our society settles really in a objectivize way the question? And what would look like it without artists or acrobats, as some like qualifying us? Even if the first one of the satisfactions of the artist is its own satisfaction, that is by spitting at the fact that can indeed think of the others, understood public! Supreme moment in suspension of total freedom!!! The real freedom at the very expensive price obviously, but the freedom based on the beautiful idea: to try not to make to the others it we would hate that they made us! Just to answer these numerous commercial gravediggers of the common musical world who are capable of selling some music before having made it. I want to speak about the one who floods and pollutes the waves radios and télévisives.


*Le Névachien : Exactly about freedom, which is your opinion on this famous French law, named HADOPI ,


- A.(S) V. : Of what I think of it? That it is only a nth repressive idiocy furthermore! Voted and decreed by people who support a system or take pleasure the other persons very known for the showbizz who do not even pay in more their taxes in FRANCE for the greater part, by blaming the mown Internet user who wants to offer itself of the pleasure in a world of an absurd bullshit ! Law so stupid as it is going only to make put off the possible dialogues, thanks to this tool that is internet, commercial and ethical who could build up himself between the artists and the public!!! In fact Internet, can be a formidable tool, on the condition of using it in a lucid and logical way. It is an instrument which allows it can already belong concretely in direct contact of producer to consumer and of it has an exchange quality / price healthier and so to be able to develop and pass on the real values, mixing it quite the tastes and the choice of each, basing itself on a mutual, simple and fair respect. With the system of the participative subscription and the free offer, what is suggested by FMTSprod a direct profitable participation of the public to the artist, without passing by the other superfluous or dishonest intermediaries! To conclude the argument; why to have given then the possibility of acquisition, within the reach of whoever, of the computer hardware allowing this so-called piracy on Web? Naturally now it is good late to act indeed! Nevertheless, in due course, it was enough to authorize only the professional followers of the sector to have the law of its use! No all this with this law, are that of pitiful excessive retaliations, added to the other numerous hypocrisies maintained by the traders and the decision-makers of our always more dismaying society!!!


- (Realized comments 07août 2009).

 

 

 

 

Very Special THANKS "Bisous et Remerciements Infinis" for Her IMPORTANT SUPPORT to LULU "the Plastic Bag QUEEN" IMBERT !

 

 


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